Returning Southeast Asia's Past: Objects, Museums, and Restitution
Forthcoming! Publishing January 2021 in Asia
Edited by Louise Tythacott and Panggah Ardiyansyah
With contributions from Gabrielle Abbe, Jos van Beurden, Socheat Chea, John Clarke, Charlotte Galloway, Chanraksmey Muong, Duyen Nguyen, Phacharaphorn Phanomvan, Melody Rod-ari, Wieske Octaviani Sapardan
The last 150 years has seen extensive looting and illicit trafficking of Southeast Asia's cultural heritage. Art objects from the region were distributed to museums and private collections around the world. But in the 21st century, power relations are shifting, a new awareness is growing, and new questions are emerging about the representation and ownership of Southeast Asian cultural material located in the West.
This book is a timely consideration of object restitution and related issues across Southeast Asia, bringing together different viewpoints including from museum professionals and scholars in Cambodia, Thailand, Vietnam and Indonesia – as well as Europe, North America and Australia. The objects themselves are at the centre of most narratives - from Khmer art to the Mandalay regalia (repatriated in 1964), Ban Chiang archaeological material and the paintings of Raden Saleh. Legal, cultural, political and diplomatic issues involved in the restitution process are considered in many of the chapters; others look at the ways object restitution is integral to evolving narratives of national identity. The book's editors conclude that restitution processes can transform narratives of loss into opportunities for gain in building knowledge and reconstructing relationships across national borders.
Louise Tythacott is the Woon Tai Jee Professor of Asian Art at Northumbria University, United Kingdom.
Panggah Ardiyansyah is an MPhil/PhD student of History of Art and Archaeology at SOAS University of London.
Publication year: 2021
320 pp / 235 X 187mm
54 colour illustrations
Series: Art and Archaeology of Southeast Asia: Hindu-Buddhist Traditions
NUS Press (with the Southeast Asian Art Academic Programme, SOAS University of London)